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Dramatic Possibilities With Chants
Sonja Dunn
Excerpted from All Together Now: 200 of Sonja Dunn's Best Chants. Chanting, by its nature, is dramatic. Its possibilities are limited only by the imagination of the creative leader and the child participants. Chanting offers wonderful opportunities for creative movement. When you first present a chant, model miming, such as washing your hands in Cleano. Then let students experiment with miming, too. Some chants, such as Keeping Fit, call for lots of specific actions. Or, add your own gestures,such as making an arc with both hands to suggest a rainbow. Alternatively, introduce all the mime and rhythm-keeping activities before you speak. Students can practice fine and gross motor skills as they find movements to match the chant. Chants allow children to appreciate non-verbal communication. When you present a chant, remember to make thoughtful pauses -- even lively music takes rests -- gestures that reinforce the meaning, and animated facial expressions. These will help children interpret the chant and respond to it appropriately. For example, scowling and hands on hips would reinforce the lines of The Sharing Rap. Students can later join you in interpreting the text non-verbally. You will also recognize opportunities for dramatic extensions. The text of a chant will suggest possibilities to you. Excerpted from All Together Now: 200 of Sonja Dunn's Best Chants. Sonja Dunn is an educator, storyteller, performer, author, actor, and poet. Known for her story skirt and story hat, she has delighted thousands of teachers and children at workshops throughout North America. The author of numerous books, many of Sonja's poems are included in the major language arts poems. A popular personality for student and in-service programs, Sonja may be contacted
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